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Gicleo Academy

Knowledge from practice

The Gicleo Academy is a space where we share our experience working with artwork, archives, and fine art printing. Here, we gather knowledge we use daily in digitization, file preparation, color control, and museum printing.

We publish free guides and educational materials that help you understand processes and make informed technical decisions. The content is designed to be easily accessed whenever a specific need arises, regardless of the scale of the operation or the stage of the project. We are also developing a frequently asked questions section based on real-world issues faced by artists, galleries, and institutions.

Gicleo Academy Guides

Below, you'll find publications designed for those who want to better understand the various stages of working with a work of art—from digitization and printing to distribution and sales. You can receive each guide free of charge via email.

01. Artwork digitization

A practical guide for museums, galleries and artists

01. Artwork digitization

This publication is for people who want to digitize their works or collections in a conscious and safe way – both in institutional settings and for individual work.

Inside you will find, among others:

  • preparing the work for digitization,
  • the importance of light, background and surroundings,
  • technology and equipment review,
  • basics of color management and ICC profiles,
  • file formats, resolution and metadata,
  • principles of retouching,
  • introduction to the FADGI, Metamorfoze and ISO 19264-1 standards,
  • using AI-based tools to support image work,
  • checklists and ready-made processes.

The publication is aimed at artists, galleries and institutions that want to consciously digitize their works or collections and prepare files for archiving, printing and further use.

Artwork digitization

A practical guide to scanning and photographing your work, preparing files, and working with color. Sign up and download the material immediately.

* By clicking "Download the guide," I consent to receiving commercial information at the email address provided above and to the processing of my data in connection with receiving the newsletter. I have read and accept the Privacy Policy

02. Museum printing technology

A practical guide for museums, galleries and artists

02. Museum printing technology

This guide covers giclée printing as a conscious process for working with a work. We explain what determines museum-quality in practice and how to make decisions that translate into predictable, repeatable results.

Inside you will find, among others:

  • differences between print giclée and commercial printing,
  • papers, pigments and substrates used in museum printing,
  • color management from file to finished print,
  • basics of proofing and quality control,
  • preparing a file for collector printing,
  • limited editions, certificates of authenticity and numbering,
  • printing application giclée in museums and galleries,
  • print on demand as a flexible production model,
  • durability and material aspects of printing.

The publication is aimed at institutions building print collections and at artists planning limited editions, sales at fairs or supplementing their exhibition offerings.

Museum printing technology

Learn how pigment printing differs from other techniques, which papers to choose, and how to prepare a file for collector's print. Sign up and download the material immediately.

* By clicking "Download the guide," I consent to receiving commercial information at the email address provided above and to the processing of my data in connection with receiving the newsletter. I have read and accept the Privacy Policy

03. Sale of art prints

A practical guide for museums, galleries and artists

03. Sale of art prints

This publication is for those who want to develop art sales in a structured manner that aligns with their own practice. We explain how collectible prints, limited editions, and online sales can naturally complement artistic and institutional activities.

Inside you will find, among others:

  • combining stationary and online sales,
  • building a coherent offer for an artist or institution,
  • communication and storytelling around the work,
  • limited editions and pricing strategies,
  • Print-on-Demand model as a distribution tool,
  • sales at fairs, exhibitions and temporary events,
  • developing a print collection,
  • checklists and examples that can be implemented in practice.

The guide is aimed at both artists and galleries and museums developing their own print collections or selling them in museum shops.

Sale of art prints

How to prepare a limited edition, price your work, and market it. Sign up and download the guide to help you get started.

* By clicking "Download the guide," I consent to receiving commercial information at the email address provided above and to the processing of my data in connection with receiving the newsletter. I have read and accept the Privacy Policy

How to prepare a file for giclée printing

A well-prepared file is the foundation of a high-quality print. Below, you'll find the most important rules for achieving predictable and repeatable results.

1. Resolution and size
– Recommended resolution: 300 dpi (px/inch) at target print size

2. File format
– Preferred formats: TIFF or JPG
– Uncompressed file
– The file should be flattened (no layers)

3. Color and profile
– Color space: Adobe RGB (recommended) or sRGB
– The color profile should be embedded in the file
– Do not convert to CMYK – printing is done in RGB
– Color profile embedded in the file

4. Margins and Cropping
– If you plan to sign or number the work: leave a white margin (approx. 1,5–3 cm) around the work
– Keep important elements at least 3 mm from the edge
– Prepare your prints “sharply”, without bleeds

Download the manual here

Most frequently asked questions

How to prepare a file for printing?

Four parameters decide everything:

  • Resolution: 300 ppi at target print size
  • Size: 1:1, consistent with print format, no bleeds
  • Colour: RGB, Adobe RGB (1998) or sRGB, with embedded ICC profile
  • Format: TIFF without lossy compression, JPG in maximum quality or PNG, always in 8 bits

Download file preparation instructions (PDF)

What is giclée printing?

This is a high-quality pigment-based print designed for fine art reproduction. Instead of the four printing colors of CMYK, it uses 8 to 12 pigment inks and doesn't build an image from a screen, allowing for much more subtle tonal transitions. The final result is determined by the entire process: the source file, color control, printing device, and substrate, such as cotton paper or canvas. Learn more on our giclée printing page.

Is an art print suitable for sale as a collector?

Yes, provided the entire process, from digitization and file preparation to paper selection and print quality control, is conducted consistently. Giclée prints made on archival materials are considered collector's editions if they are numbered, for example, 12/50 , signed by the artist, and accompanied by a certificate of authenticity.

What role does paper play in the perception of an art print?

Paper has a direct impact on the character of an image. Its texture, white tone, and pigment absorption determine the visibility of detail, depth, and structure. Giclée papers typically weigh 180 to 350 gsm and are available in four surface options: smooth, velvet, textured, and baryta. The same file looks different on each, so choosing a substrate should be considered an artistic decision, not just a technical one. See papers and sample books.

How long does a giclée print last?

The durability of a print depends on the entire system: ink, paper, binding method and display and storage conditions.

Independent tests have shown that professional pigment systems last for decades, with some paper and ink combinations exceeding 100 years under specific test conditions . However, this doesn't mean that every print will look the same for a hundred years, as the materials used and how the work is stored are crucial.

How many copies are in the limited edition?

There is no single, universally accepted number. In practice, there are both very small editions of a few or a dozen copies, and larger print runs of 50, 100, or 250.

A smaller edition increases the rarity of a work, but it doesn't automatically translate into greater value. The key is to clearly define the edition size before the sale begins and adhere to that commitment.

Where can I find more answers?

A complete database of frequently asked questions and answers, divided into thematic sections from file preparation to print sales, can be found in the FAQ section . There you'll find information on file parameters, paper selection, monitor calibration, digitization standards, and edition numbering and certification rules.